This study argues that the critical analysis of the discourse of a given time and place determines the identity, the social life as well as the social roles of people in that social order. With the help of the theorization of Fairclough and Wodak (1997), it explains how Waris Shah in his renowned discourse 'Heer' uncovers the historicity or social and cultural embedments during the 18thcentury Punjab. For Fairclough and Wodak the supremacy/ inferiority of social elements is being exercised via discourse. Waris Shah skillfully portrays in his epic poetry Heer how supremacy/ inferiority is interlocked with every incident of the individual(s) and society. His discourse exhibits that whosoever holds authority misuses it to subjugate others.

Interrogating the chronological and teleological notions of time, this study explores the contemporaneity and relevance of the 'past' in Mohsin Hamid's two novels, Moth Smoke (2000) and The Reluctant Fundamentalist (2007), by engaging Julia Kristeva's postulations on 'Intertextuality'. Hamid's fictions interweaving the past and present are examined by utilizing Mudrovcic's views on history to affirm the viability of the 'relational' and cyclic nature of time which is opposed to the temporal succession and linearity. Accordingly, the conceptualization of history in Hamid's novels is scrutinized in relation to the 'authentic history', in a bid to establish the significance of History in shaping the present and predicting the future, thereby, renewing the prominence of time and history in spatial, temporal and theoretical spheres in post-modern times. Claiming to be a valuable addition to the scholarship on 'Time-Studies', this research would also help in rethinking and reinterpreting Pakistani anglophone fiction via unhackneyed standpoints.