This paper describes the key elements of Pashtunwali and the manifestation of Pashtun nationalism, especially in Pakistan. This study on Pashtun nationalism finds that Pashtunwali is a centuries-old primordial customary code of life and it is important in the context of nationalism as it strengthens the sentiments and feelings of closeness and affinity; central to the phenomenon of nationalism, among the Pashtuns. This paper also highlights two different aspects of Pashtun nationalism in Pakistan. In the formative phase of Pakistans independence, the stance of Pashtun nationalists was more inclined towards the idea of a separate state for the Pashtuns. However, as a result of various factors; including state policies, currently the manifestation of Pashtun nationalism has adopted the internal dimension of highlighting and struggling for the rights of the Pashtuns in the ambit of the Pakistani constitution and by remaining an integral and constitutional part of the country.

This study explores the shattered Pakistani nationalism in Nadeem Aslam's 'The Blind Man's Garden' (2013) in the context of the post-9/11 invading military globalism and reactionary social globalism. Focusing on Nadeem Aslam's hallmark work, 'The Blind Man's Garden' (2013), this article not only explores the current foundationless nationalism of Pakistan as the byproduct of undue chauvinism instead of being the outcome of its real ideology but also stresses the need for renewal of ideological boundaries of Pakistan in the light of current sweeping effects of thick globalism. Being a diaspora and much influenced by the secularity of the host society, Aslam seems to be desirous of featuring the nationalist inscription of home society in accordance with the global world, as is revealed from the roles played by his characters like Mikal etc. in the novel. The study motivates us to revisit the national myths with an aim to devise the marks of nationalism, provided if we are to rehabilitate our national identity.

The study analyzes the issue of identity under postcolonialism by comparing two postcolonial novels from different countries. The data consists of selected textual passages taken from the two works to invoke comparative study. Hamid presents that America is acting like a Neo-colonial power to show its superiority, while Kincaid evinces the realistic manner that depicts the inferiority of indigenous culture, which is also the result of Neo-colonialism. Postcolonial theory is used as a research methodology. Homi K. Bhaba's concepts of identity, hybridity, mimicry and otherness provide a basic framework for the research. Fanon's concept of national identity will also provide support for the completion of this research. The research concludes that the elite and educated class should seek identity from their own culture rather than adopting the westernized mimic culture, which makes them an inferior race in order to show their own superiority.

This study targets to investigate the impact of Inter-Services of Public Relations (ISPR) production, broadcasted during the war against terrorism, on Pakistani youth. It is hypothesized that ISPR productions have helped in inflating the motivation level of Pakistani youth, thus helping in promoting the nationalism and positive image of Pakistan. Furthermore, the role of ISPR productions in motivating youth to join Pakistan's Army is also explored. A cross-sectional survey research design was used. The sample of this study was comprised of youth aged between 18 to 24 years, selected through the non-probability purposive sample. The measures comprised of a self-constructed indigenous questionnaire assessing the impact of ISPR productions during a military operation in image building, promotion of nationalism and motivation to join the army. The data analyzed through SPSS Version 22.00 yielded insightful findings. The finding revealed that watching ISPR productions helped in instilling a fervent attitude of Pakistani youth towards nationalism and the Pakistani military. There had been a clearer inclination of youth to aspire for joining the military for upholding the nationalism beliefs, and this finding appears promising, keeping in mind the relative declining opinion that has been observed in youth from the past decade pertaining to nationalism and military operations.

In 2019, Narendra Modi became the Prime Minister of India for the second term. Since his first term in 2014, there has been a surge in Hindu nationalism and a declining secular ethos. Due to these changes in the political landscape of India, there has been enactment of several discriminatory laws against Muslims in Indian Occupied Kashmir and India. Right after coming to power in 2019, Modi revoked articles 370 and 35-a which granted  Indian-occupied Kashmir autonomy under the Indian Union. Moreover, the promulgation of the Citizenship Amendment Act has created insecurities for millions of Muslims. These structural policies have shrunk the space for the largest minority of India: the Muslims. There is limited knowledge of the structural policies against Muslims and how it affects them. This study will use the structural violence of Johan Galtung's violence triangle to contextualize the discriminatory policies put in place to marginalize Muslims.

The current research analyzes how global media frames Hindutva ideology, the political tactics of the BJP, and their influence on Indian Muslims. Employing a Critical Constructivist framework that combines Fairclough's (1992) Three-Dimensional Model of Critical Discourse Analysis(CDA) with Wendt's(1992) Constructivist theory of International Relations, the study analyzes video coverage by BBC, Al Jazeera, and ABC News, 2024. Through text, discursive, and social-practice analysis, the research uncovers how global narratives produce Modi as both a democratic reformer and authoritarian nationalist, commonly equating Hindu cultural identity with state power. The analysis illustrates that international media are not mere observers but active agents in shaping India's global identity and perceptions of its democratic integrity. The critical analysis of language, representation, and ideology highlights how media discourse legitimizes or resists political majoritarianism. The implications focus on the global media's framing of domestic ideologies and call for more critical literacy to decode international news narratives.