The present study means to investigate Hamlet in the light of postmodernist-Deconstructive theoretical framework. The play seems to reinforce the overarching dominant patriarchal meta-narrative, with supposed unitary voice and unified identities. The current reading means to show that the play is a metaphor of postmodernism with pluralistic subjectivities, multiple alternative micronarrative voices. It manifests the postmodernist notion of subjective, personal and local truth, against the idea of universal truth and reality. Its major features are self-difference, undecidability, and uncertainty. The regimes of truth in the form of dominant ideology are challenged, deconstructed and undermined, creating a zone of the postmodern condition of reality and truth as the effect of power and rhetoric. The postmodern condition does not push for the replacement of one totality with another. It creates a third space of pluralism, where all the voices are disjoined in a zone of the difference without hierarchy.

The present study investigates the representations of the socialist ideology and Russian revolution of 1917 in Doctor Zhivago by Boris Pasternak. The thrust of the study shows the alternative micro narratives, deconstructs socialist ideology and revolution as merely illusionist, foundationalist assumptions. These strands challenge and question the dominant status of socialist ideology and revolution as an absolute and an overarching point of reference. The existence of alternative micro narratives expose the myth of the socialist Russian revolution as an icon of brotherhood, freedom, democracy and the socioeconomic justice. The study also shows absence of transformation in the mere replacement of one kind of totality by another of its kind. It only keeps the binaries of dominance and submission intact. The study is undertaken in the light of an eclectic theoretical framework of Marxism and Deconstruction.