The issues of globalization and economic and social dependency have penetrated into modern postcolonial literature, especially in the literature of expatriate Pakistani writers. Home Fire explicitly covers the issue of zero-sum competition between the immigrants and the locals. The attitude of the Americans and the Britishersin the perspective of post 9\11 era highlighted this issue. The Zero-sum competition is situational and chronic. The major factor that constitutes this competition is the national identity. There are certain discursive events in the novel that propagate the fallacy of zero-sum competition. Zero-sum situations force Is ma to adopt the Other attitude towards her brother Pervaiz and sister Aneeka because of the (BIOPTIONAL CHOICE) two options of choice and future. Eamon gains choice and, after that, realizes and refuses the future. This study shows the zero-sum events as highlighted in the work Home Fire and analyzes the situational and chronic interplay of national identity, choice, and sense of future.

The Reluctant Fundamentalist (2007) traces the evolution of Changezs sense of belonging by encompassing a substantial part of his life odyssey, ranging from his movement to the US for higher studies to his disillusionment and redirection of fundamental desires. This study explores those transformative stages that help shape his identity. For this purpose, James Marcias theory of identity achievement has been used as a theoretical framework. Marcia (1980) contends that certain situations and events (called crises) act as catalysts to prompt identity moratorium. The internal conflict caused by such catalysts stimulates adolescents to probe into their beliefs, goals and values. Changez also encounters the four statuses described by Marcia i.e., identity diffusion, foreclosure, moratorium and final achievement. Consequently, a refraction in his sense of belonging takes place - from love for American exceptionalism to love for Pakistan and Islam (Morey, 2011). This study evaluates the level of identity achievement in Changez as a result of this refraction

The present study tends to explore the feminine subjectivity as a heart-throbbing phenomenon for men that keeps on prevailing in a patriarchal society. This is an exploration into the life of Pakistan's renowned writer, poet and human activist, Kishwar Naheed. Her autobiographical writing Buri Aurat ki Katha (A Bad Woman's Story) probes into the life of a female character who is being restrained by society due to her achievements and fame but gender discrimination prevailing in society compelled her to consider herself a stigma. Naheed is taken as a representative character to project the reality of a patriarchal society that denies feminine subjectivity in society. It covers gynophobia over men's mind towards women powerful and independent existence in society. This study contextualizes within the border of feminism theory that covers threat to female identity by throwing light to the perspective taken by Kristeva's views on feminism, majorly focusing on male jingoistic society. The present inquiry spotlights the ways in which women suffer through threatened, identity crisis, abuse, and oppression that further leads woman's journey of life restrained under social commands.

The aim of this article is to examine the ways through which the immigrant Pashto speech community constructs their bilingual identity in the multicultural settings of Lahore. The participants for the research were selected through purposive sampling technique. The data of the study was collected via interviews from 10 adults of Pashto speech community, who have been living in Lahore for more than five years. The study is based on the philosophy of Spolsky's (2004) Language Policy Framework, which considers language practices, beliefs and management as different ways of constructing identities. The nature of the data is descriptive and qualitative, and thematic analysis was used while the data coding was performed through Atlas.ti software. The findings revealed that the Pashto speakers use their first language (Pashto) in their home environment to maintain their language, identity and culture while using Urdu and English outside their home domain at their workplaces.

Pakistan is a multilingual community where individuals communicate in more than one language for everyday communication. Literacy practices of young children in schools reflect the literacy practices of the broader social community. Same is the case with the use of literacy practices at homes. The data is collected by answering questions in questionnaires that are answered by the parents. The collected data is from three different social strata of society. The current study analyzes the literacy practices of young children at homes and the way they are associated with the broader social and cultural context. This includes the linguistic and literacy practices of young children during their playtime, their interaction with the members of the family and their exposure to the media and technology. These multilingual literacy practices that are practised at the homes constitute the social and linguistic identity of the individuals in the long run.

The present critical discourse study explores the discursive construction of immigrant identity of Mohajir/Urdu Speaking people in Pakistan through the analysis of an autobiographic discourse in the form of My Lifes Journey by Altaf Hussain. Discourse Historical Approach of CDA serves as the theoretical and analytical framework for this study. This framework is based on themes and discursive strategies. The analysis of the selected discourse reveals that the interview based autobiography of the political figure is based on the recurring theme of political transformation and reconstruction of immigrant identity. The discourse is also constituted of several discursive strategies; the most prevalent ones are those of victimization, topos of history, topos of definition and positive self and negative other presentation. The autobiographical discourse highlights the transformational phases the immigrant identity of Mohajirs has gone through. The readers of this discourse under analysis often encounter terms like parochial difference, biased attitudes, and discrimination.

The current research elegantly examines the majority of the time,enveloping the reader in a dreamscape of currencies, parrots, and exquisite meals. Joshi's narrating technique is captivating and the time passes quickly in the globe she has created. Nevertheless, her prose occasionally devolves into elaborate cramps and there are omissions and inconsistencies in her portrayal of the class structure in 1950s India, especially regarding ladies. Reading this straight historical fiction is a mistake; writing about class in a reliable or full of thought thinking will compose more about brutality and injustice. The current class and religious character issues in India are a section of the goal the state is in disorder today. Nevertheless, the study of Margaret Mitchell's Gone with the Wind, where a blameless Black Lives Matter strike is taking place, has the same effect.

The relationship between poetry and nature enjoys timelessness. But the poetry relating to beauty, spirituality, and preservation of nature secure a special place as ecopoetry among other poetic genres. Taufiq Rafat's poetry is no exception when it comes to describing the natural landscapes, flora and fauna,seasonal variations, and human civilization to showcase the relation of man with nature. This study attempts to scrutinize the ecopoems from Rafat's poetry collections Arrival of the Monsoon: Collected Poems 1947-78 (1985) and HalfMoon: Poems 1979-1983 (2008) from two different perspectives of ecopoetry, i.e., environmental poetry to discuss rights of nature and ecophenomenological poetry to discuss nature for nature's sake propounded by J. Scott Bryson and Jonathan Bate, respectively. The study addresses political issues of identity construction through Tuanian topophilia - a sense of belonging with the place through comparative images from the natural world -, environmental abuse or revised sublime such as urbanization, poor management of the residential areas,industrial agriculture, uncertain climate change, deforestation, scarcity of water,extinction of wildlife, and loss of natural habitat, etc. - a postcolonial inheritance- leading to an identity crisis, and reconstruction of lost identity through nature-friendly living under the former sub genre and imaginative impulse revived through the effects of sublime and beautiful on the tired soul of Rafat to create the feelings of respectful awe and love under the latter one.

Ishiguro's Never Let Me Go (Never) exposes the oppressive role of ideology in imploding human identity through societal training, education, and the social roles of clones in the human world. Cloning is another marvel of biotechnology which has given birth to many optimistic as well as pessimistic narratives. The post human narrative is central to dystopia as it tends to put forward the regressive use of biotechnology that has the potential to disrupt the essential human identity and implement a sort of reduction-ism which manifest gratification and conformity. The desire to indoctrinate conformity indicates the late capitalistic tactics of commodification which results in an identity implosion. The paper asserts that ideological maneuvering and construction of imploded identities are exhibited through dystopian bio-technologies in the agency of post humanism, which represent com-modified identity politics. The post human, in this context, serves as the Other of stratified human identity.

he current research analyzes Nadeem Aslam’s Maps for Lost Lovers and Kamila Shamsie’s Home Fire in the light of the concept of ambivalence, hybridity, and mimicry, and the way these texts establish a connection with trans-culturalism, terrorism, and Islamophobia. If Shamsie’s novel Home Fire highlights the issue of fundamentalism and its effect on the distorted image of Muslim immigrants, similarly, Aslam's counsels cultural
hybridity among diversity and heterogeneity for lasting peace and prosperity in diasporic societies. The present study not only explores the feelings of alienation, ambivalence and interdependency of trans-culturalism but also
sheds impartial light on the clash of cultures and the subsequent issues, such as subjugation, exploitation, victimization, and injustice meted out to the Muslim Community across the globe on foreign soil. The researchers have adapted qualitative and descriptive methods while relying on the thorough reading of the selected British-Asian novels as well as the related critical reviews.